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	<title>BOWYER</title>
	<link>https://bowyer.kr</link>
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	<pubDate>Fri, 14 Aug 2026 06:45:42 +0000</pubDate>
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		<title>PLAVE: The Children of ASTERUM</title>
				
		<link>https://bowyer.kr/PLAVE-The-Children-of-ASTERUM</link>

		<pubDate>Fri, 14 Aug 2026 06:45:42 +0000</pubDate>

		<dc:creator>BOWYER</dc:creator>

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    2026. 8.PLAVE: The Children of ASTERUM

버추얼 보이그룹 PLAVE의 아카이브북 『PLAVE: The Children of ASTERUM』을 디자인했습니다. 데뷔부터 현재까지 공개된 플레이브의 세계관과 비주얼 아트를 총망라한 이번 아카이브북에서, 보이어는 책의 전체적인 비주얼 컨셉을 구상하고 흩어져 있던 정보와 콘텐츠를 하나의 완결된 서사로 시각화하는 역할을 담당했습니다. 특히 지금까지 플레이브의 여정을 ‘꿈을 현실로 만들어가는 이야기’로 해석하고, 실제와 환상이 겹쳐지며 드러나는 새로운 세계—플레이브 코스모스의 거대한 서사를 몰입감 있게 보여주는 것을 주요 디자인 목표로 삼았습니다.&#38;nbsp; &#38;nbsp; 
이에 가상의 세계관이 마치 현실에 존재하는 듯한 인상을 주기 위해, 대중 과학 교양서에서 흔히 볼 수 있는 내지 레이아웃을 차용하여 사실과 가상의 경계를 흐렸습니다. 동시에 이 세계가 아주 오래전부터 존재했던 것 같은 느낌을 주기 위해 고서의 장식적인 레이아웃과 세밀한 도판 요소를 표지와 내지 일러스트에 활용해, 세계관에 서사적 사실감과 신비로운 환상성을 불어넣었습니다. 팬들의 사랑으로 현실화된 플레이브의 꿈과 세계가 이 책을 통해 보다 선명한 모습으로 팬들에게 다시 다가가는 의미 있는 계기가 되길 바랍니다. 🌌💫 
We designed the archive book PLAVE: The Children of ASTERUM for the virtual boy group PLAVE. The book encompasses PLAVE’s universe and visual art from debut to the present; our role was to develop its overall visual concept and weave scattered content into a single cohesive narrative. We interpreted PLAVE’s journey as ‘a story of turning dreams into reality,’ and set out to immersively reveal the vast narrative of the PLAVE Cosmos—a new world that emerges where reality and fantasy overlap.&#38;nbsp; &#38;nbsp; To give this virtual universe a tangible presence, we borrowed layout conventions from popular science books, blurring the boundary between fact and fiction. At the same time, we drew on the decorative layouts and intricate plate illustrations of antique books across the cover and inside pages, imbuing the world with narrative realism and mystical fantasy. We hope this book offers a meaningful moment for PLAVE’s dream and world, made real by the love of its fans, to reach those fans once more in sharper form. 🌌💫  




의뢰 Client:VLAST아티스트 Artist:PLAVE&#38;nbsp;🔗

디자인 Design:이화영Lee Hwayoung
표지·캐릭터 일러스트레이션 Cover &#38;amp; Character Illustration:RETICLES
작업범위 Work Scope:비주얼 컨셉 및 편집디자인Visual concept direction, editorial design




Ⓒ 2026 VLAST Co.,Ltd. ALL RIGHTS RESERVED.
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		<title>SVC Seoul</title>
				
		<link>https://bowyer.kr/SVC-Seoul</link>

		<pubDate>Wed, 15 Jul 2026 23:27:45 +0000</pubDate>

		<dc:creator>BOWYER</dc:creator>

		<guid isPermaLink="true">https://bowyer.kr/SVC-Seoul</guid>

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    2026. 7.SVC Seoul

창업진흥원이 기획한 스타트업을 위한 공유오피스 ‘SVC Seoul’의 공간 사이니지를 디자인했습니다. 건물 전체를 리노베이션하는 이번 프로젝트에서 보이어는 설계를 담당한 구보건축과 긴밀히 협업하며, 스타트업 창업허브로서의 아이덴티티를 시각화하는 사이니지 시스템과 인테리어 컬러 계획을 담당했습니다.&#38;nbsp; &#38;nbsp; 사이니지는 스타트업이 궤도에 오르는 가장 빠른 경로, ‘패스트트랙’을 모티브로 전개됐습니다. 공간을 성장을 가속하는 하나의 트랙으로 정의하고, 방향을 지시하는 ‘포인터 타입’과 정보를 유기적으로 조립하는 모듈형 ‘레인 타입’으로 시스템을 구성했습니다. 공간의 컬러는 유니콘을 상징하는 보라색과 성장 생태계를 뜻하는 초록색, 두 가지 축으로 설계했습니다. 출발선에서 시작해 비즈니스의 정점에 도달하기까지, 성장의 트랙을 달리는 수많은 스타트업들이 차세대 ‘유니콘 기업’으로 찬란하게 도약하기를 기원합니다. 🏁🦄 
We designed the spatial signage for ‘SVC Seoul,’ a co-working space for startups initiated by the Korea Institute of Startup &#38;amp; Entrepreneurship Development (KISED). Collaborating closely with Gubo Architects, who led the building-wide renovation, BOWYER directed the signage system and interior color planning to visualize the hub’s identity as an active startup ecosystem.&#38;nbsp; &#38;nbsp; The signage system is inspired by the ‘fast track’—the quickest path for a startup to scale and reach orbit. Treating the physical space as a track that accelerates growth, we designed a directional ‘Pointer Type’ and a modular ‘Lane Type’ that organically coordinates spatial information. The color scheme is built on two primary axes: purple, representing ‘unicorn’ startups, and green, symbolizing a flourishing growth ecosystem. 🏁🦄




의뢰 Client:창업진흥원Korea Institute of Startup &#38;amp; Entrepreneurship Development아트 디렉션 Art Direction:이화영Lee Hwayoung
그래픽 디자인 Graphic Design:이화영, 임수빈Lee Hwayoung, Im Soobin
건축 설계 Architectural Design:구보건축Gubo Architects
작업범위 Work Scope:공간 색채 계획 및 사이니지 디자인Spatial color planning, signage design

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		<title>Asian Avant-Garde Film Festival 2026: Space Enter Shift</title>
				
		<link>https://bowyer.kr/Asian-Avant-Garde-Film-Festival-2026-Space-Enter-Shift</link>

		<pubDate>Wed, 15 Jul 2026 01:18:37 +0000</pubDate>

		<dc:creator>BOWYER</dc:creator>

		<guid isPermaLink="true">https://bowyer.kr/Asian-Avant-Garde-Film-Festival-2026-Space-Enter-Shift</guid>

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    2026. 5.Asian Avant-Garde Film Festival 2026: Space Enter Shift 

홍콩 M+ 미술관에서 개최하는 아시아 아방가르드 영화제 2026(AAGFF)의 비주얼 아이덴티티를 디자인했습니다. 영화제는 지난 60년간 아시아의 예술적 지형을 형성해 온 무빙 이미지 실천을 기념하고, 주류 예술의 틀을 벗어나 독자적인 세계를 구축해 온 실험적 작업들을 조명합니다.&#38;nbsp; &#38;nbsp; 보이어는 이번 행사의 메인 테마인 ‘공간’을 여러 차원의 중첩과 연결로 해석했습니다. 공간은 바라보는 ‘주체의 시선’에 따라 다르게 인식된다는 점에 착안해, 공간을 탐색하는 시선을 화면 중앙의 작은 그래픽 심볼로 구현했습니다. 이 심볼들은 각기 다른 형태를 지녔지만 원형으로 회전하는 움직임을 공유하며, 아방가르드 영화 특유의 역동성과 주체적인 탐구 정신을 보여줍니다. 한편 배경 그래픽은 우주, 바다, 들판 같은 사실적인 자연 풍경을 비현실적인 평면으로 전환하여 여러 차원의 공간을 표현했습니다. 그 위에 공간을 가로지르는 궤적, 경계, 통로를 연상시키는 추상적 요소들을 배치함으로써, 물리적인 공간 위에 겹쳐진 비물리적 차원을 드러내고 경계를 넘나드는 연결과 통과의 순간을 시각화했습니다. 🎥👀🏝️ 
We designed the visual identity for the Asian Avant-Garde Film Festival 2026 (AAGFF) at M+ in Hong Kong. The festival celebrates 60 years of Asian moving image practices, highlighting experimental works that build independent worlds outside mainstream art frameworks.&#38;nbsp; &#38;nbsp; We interpreted the festival’s theme, ‘Space,’ as a multidimensional overlap and connection. Noting that space is perceived differently depending on the ‘gaze of the subject,’ we translated these exploring perspectives into small graphic symbols at the center. While taking various forms, they share a circular rotation, embodying the dynamism of avant-garde cinema and its spirit of independent inquiry. The background graphics transform natural landscapes—the cosmos, sea, and fields—into unreal flat planes. By overlaying abstract elements that evoke traces, boundaries, and passages, we superimposed a non-physical dimension onto physical space, visualizing moments of connection that cross boundaries. 🎥👀🏝️ 디자인 비하인드 스토리
Space Within Space: Behind AAGFF 2026's Key Visuals🔗


의뢰 Client:M+디자인 Design:이화영, 황상준Lee Hwayoung, Hwang Sangjoon모션 그래픽 Motion Graphics:입자필드Particle field
작업범위 Work Scope:비주얼 아이덴티티 디자인, 모션포스터, 리플렛, 각종 홍보물 그래픽디자인Visual identity design; motion posters, leaflets, and promotional graphics

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		<title>2026 Kumho Young Artist</title>
				
		<link>https://bowyer.kr/2026-Kumho-Young-Artist</link>

		<pubDate>Mon, 13 Jul 2026 06:00:49 +0000</pubDate>

		<dc:creator>BOWYER</dc:creator>

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    2026. 3.2026 금호영아티스트2026 Kumho Young Artist

금호미술관 신진작가 공모전 «2026 금호영아티스트»의 비주얼 아이덴티티를 디자인했습니다. 올해 보이어는 금호영아티스트만을 위한 그래픽 심볼을 새롭게 개발했습니다. 이를 통해 2004년부터 이어온 공모 프로그램의 브랜드 정체성을 더욱 공고히 하고, 미술관 내 다른 전시들과의 시각적 차별화를 꾀했습니다. &#38;nbsp; &#38;nbsp; 프로그램의 이니셜인 K, Y, A에서 출발해 점진적으로 확장하는 사선 형태의 그래픽 심볼로 아이덴티티를 구현했으며, 이를 다양한 홍보물에 일관되게 적용하여 체계적인 시스템을 구축했습니다. 여기에 개별 작가의 작품 세계를 녹여낸 그래픽 모티프를 유기적으로 결합하여 작가별 개성 또한 드러내고자 했습니다.🎨
We designed the visual identity for 2026 Kumho Young Artist, Kumho Museum of Art's open call program for emerging artists. This year, BOWYER developed a dedicated visual motif exclusively for Kumho Young Artist — further solidifying the brand identity the program has built since 2004, and establishing a clear visual distinction from the museum's other exhibitions.&#38;nbsp; &#38;nbsp; The identity takes shape as a diagonal graphic symbol that progressively expands the program's initials, K, Y, A, and has been applied consistently across various promotional materials to build a systematic visual language. At the same time, we incorporated graphic motifs drawn from each artist's individual world of work, allowing their distinct personalities to come through within the shared system. 🎨


의뢰 Client:금호미술관Kumho Museum of Art디자인 Design:이화영Lee Hwayoung
작업범위 Work Scope:비주얼 아이덴티티 디자인, 포스터, 리플렛, 각종 홍보물 그래픽디자인Visual identity design; graphic design for posters, leaflets, and other promotional materials


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		<title>Happy New Year 2026</title>
				
		<link>https://bowyer.kr/Happy-New-Year-2026</link>

		<pubDate>Wed, 13 May 2026 10:13:30 +0000</pubDate>

		<dc:creator>BOWYER</dc:creator>

		<guid isPermaLink="true">https://bowyer.kr/Happy-New-Year-2026</guid>

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    2026. 1.병오년丙午年 근하신년謹賀新年Happy New Year 2026

2026년, 붉은 말의 해를 맞이하며 작은 직물을 만들었습니다. 말은 강인한 힘을 상징하면서, 때로는 신비로운 유니콘처럼 아름다운 환상을 꿈꾸게 합니다. 부드러운 갈기를 휘날리며 힘차게 땅을 박차는 유니콘을 상상하며, 2026년은 모두의 꿈이 현실의 동력과 맞닿는 한 해가 되길 바랍니다. 그런 소망을 담아 ‘달리는 말’을 실로 지어 보았습니다. 기분 좋게 두근대는 진동과 리듬이 모두에게 전달되길 바라며. 🐎🧶
To welcome the Year of the Red Horse in 2026, Hwayoung has crafted a small woven piece. While symbolizing strong power, horses sometimes inspire us to dream of beautiful fantasies like mystical unicorns. Imagining a unicorn galloping across the earth with its mane flowing, she envisions 2026 as a year where everyone's dreams meet the momentum of reality. These heartfelt wishes are woven into the threads of 'the running horse.' May the pleasant, heart-throbbing vibrations and rhythms reach everyone. 🐎🧶


기획 Concept:이화영Lee Hwayoung디자인 Design:이화영Lee Hwayoung
직조 Weaving:이화영Lee Hwayoung


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		<title>2026 National Hangeul Museum Calendar: 100th Anniversary of Hunmaengjeongeum</title>
				
		<link>https://bowyer.kr/2026-National-Hangeul-Museum-Calendar-100th-Anniversary-of-Hunmaengjeo</link>

		<pubDate>Wed, 13 May 2026 06:54:07 +0000</pubDate>

		<dc:creator>BOWYER</dc:creator>

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    2026. 1.2026 국립한글박물관 달력: 훈맹정음 100주년 기념2026 National Hangeul Museum Calendar: 100th Anniversary of Hunmaengjeongeum

2026년을 맞아 국립한글박물관과 함께 모두가 보고 느끼고 이해할 수 있는 달력을 만들었습니다. 2026년은 송암 박두성 선생이 1926년 최초로 만든 한글 점자 체계인 「훈맹정음」이 반포된 지 100주년이 되는 해입니다. 시각장애인이 한글을 쉽게 익힐 수 있도록 만든 100년 전 「훈맹정음」의 포용 정신을 따라, 우리는 작은 점들로 이루어진 그림과 글자가 가득한 달력을 제작했습니다. 시각장애인은 점자를 손끝으로 따라가며 1년의 날들과 계절을 느끼고, 비장애인은 점의 나열과 리듬을 보며 ‘촉각을 시각적으로 느끼는’ 새로운 경험을 합니다. 대부분의 시각장애인이 잔존 시력을 가졌다는 점을 고려하여, 이미지와 색의 기쁨을 온전히 전하고자 달력 전체를 형광 별색을 혼합해 인쇄했습니다. 흐릿하지만 동시에 선명한 색과 이미지들은 시각장애인과 비장애인의 감각을 교차시키고 서로의 세계를 가늠해 보게 합니다. 👁️✋🏻🌟
In collaboration with the National Hangeul Museum, we created a calendar for 2026 that everyone can see, feel, and understand. This year marks the centennial of Hunmaengjeongeum, the first Hangeul braille system established by Park Du-seong in 1926. Following the inclusive spirit of a century ago, we designed a calendar where illustrations and letters are composed of delicate dots. While the visually impaired trace the braille to feel the flow of days and seasons, the sighted engage in a new experience of "visually perceiving tactile rhythms." Recognizing that many visually impaired individuals retain residual vision, we used vibrant fluorescent spot colors to fully share the joy of imagery. These blurred yet vivid colors invite the senses of both the sighted and the visually impaired to intersect, offering a glimpse into one another's worlds. 👁️✋🏻🌟


의뢰 Client:국립한글박물관National Hangeul Museum디자인 Design:이화영Lee Hwayoung
작업범위 Work Scope:달력 그래픽 디자인 및 일러스트레이션Calendar Graphic Design and Illustration

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		<title>Cookie Fantasy</title>
				
		<link>https://bowyer.kr/Cookie-Fantasy</link>

		<pubDate>Wed, 13 May 2026 09:26:03 +0000</pubDate>

		<dc:creator>BOWYER</dc:creator>

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    2025. 12.Cookie Fantasy

보이어의 황상준이 그간의 작은 리서치 프로젝트를 바탕으로 하여 전시 «쿠키 판타지 Cookie Fantasy»를 열었습니다. 어린 시절 과자 패키지 속 이미지를 마치 해외 관광 엽서처럼 느꼈던 경험에서 출발한 이 프로젝트는, 과자 패키지의 열화된 이미지를 업스케일링하거나 재창작함으로써 흐릿한 환상을 다시 구체화하고, 그 과정에서 낯선 세계에 대한 욕망을 드러냅니다. 🍪👨🏻‍🍳
Hwang Sangjoon of Bowyer presented an exhibition based on a series of small research projects he had been developing. Beginning from his childhood experience of perceiving the images on snack packaging as if they were postcards from overseas destinations, the project upscales and reimagines the degraded imagery from these wrappers, giving renewed form to faded fantasies and, in the process, revealing a longing for unfamiliar worlds. 🍪👨🏻‍🍳작업 노트:

«쿠키 판타지 Cookie Fantasy»는 어린 시절 한국 ‘옛날 과자’ 포장지에 담겨 있던 이국적 풍경 이미지를 출발점으로, 기억과 환상, 소비의 관계를 되묻는 작업이다. 서양식 건축과 목가적 전원, 바로크풍 명화의 파편들로 채워졌던 과자 패키지는 작가에게 한 장의 관광 엽서이자 낯선 세계를 향한 작은 동경의 매개였다. 그러나 시간이 흐르며 인쇄면이 바래고 풍경은 그 지시 대상을 잃은 채 희미한 환상의 잔상으로만 남았고, 흐릿해지는 시각과 도리어 또렷해지는 감정 사이의 간극이 이 프로젝트의 출발점이 되었다. 전시는 열화된 패키지 이미지를 수집해 이미지 생성 AI로 재창작함으로써, 사라져 가던 환상을 다시 구체적 형상으로 끌어올린다. 결국 환상이 형체를 갖게 되는 순간 그것이 한 점의 그림인지 또 하나의 상품인지를 관객에게 되묻는다.
Designer’s Note:
Cookie Fantasy is a project that takes as its starting point the exotic landscape imagery once printed on the wrappers of old Korean confectionery, returning to questions about the relationships between memory, fantasy, and consumption. Filled with fragments of Western architecture, pastoral countryside scenes, and Baroque-style paintings, these snack packages served the artist as both tourist postcards and small vessels of yearning for distant, unfamiliar worlds. As time passed, however, the printed surfaces faded, and the landscapes—severed from their referents—lingered only as the dim afterimage of a fantasy. The gap between this blurring vision and the emotions that, paradoxically, grew sharper became the point of departure for this project. By collecting these deteriorated package images and recreating them through image-generating AI, the artist draws what had been a vanishing fantasy back into concrete form. Ultimately, Cookie Fantasy asks the viewer: at the moment fantasy assumes a tangible shape, is what we are looking at a picture, or yet another commodity?



기획 Concept:황상준Hwang Sangjoon디자인 Design:황상준Hwang Sangjoon


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		<title>3rd International Museum Forum</title>
				
		<link>https://bowyer.kr/3rd-International-Museum-Forum</link>

		<pubDate>Tue, 23 Dec 2025 06:41:19 +0000</pubDate>

		<dc:creator>BOWYER</dc:creator>

		<guid isPermaLink="true">https://bowyer.kr/3rd-International-Museum-Forum</guid>

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    2025. 10.제3회 국제박물관포럼3rd International Museum Forum

국립한글박물관이 주최하는 제3회 국제박물관포럼의 비주얼 아이덴티티를 디자인했습니다. 국제박물관포럼은 전 세계 문자·언어 박물관이 당면한 공동 과제를 논의하는 담론의 장으로, 2025년에는 급속히 다가온 고령사회 속에서 문해의 중요성과 박물관의 역할을 이야기합니다. 보이어는 ‘고령사회’와 ‘문해’라는 포럼의 주제를 “잘 보이는 포스터”로 풀어냈습니다. 포럼명이 한눈에 들어오도록 크게 배치하고, 핵심 키워드인 ‘노인–고령사회’, ‘문자–박물관’, ‘포럼–연결’을 세 개의 일러스트로 표현했습니다. 👵🏻✒️🌐
We designed the visual identity for the 3rd International Museum Forum, hosted by the National Hangeul Museum. The Forum serves as a platform where museums dedicated to script and language from around the world gather to discuss shared challenges. In 2025, the Forum focuses on the rapidly approaching super-aging society, exploring the significance of literacy and the evolving role of museums. BOWYER translated the Forum’s themes — “super-aging society” and “literacy” — into a poster that makes these issues visually legible. The core keywords, elderly–aging society, script–museum, and forum–connection, are rendered as three distinct illustrations, with the title placed prominently to ensure immediate readability. 👵🏻✒️🌐


의뢰 Client:국립한글박물관National Hangeul Museum디자인 Design:이화영Lee Hwayoung
작업범위 Work Scope:비주얼 아이덴티티 디자인, 포스터 및 각종 홍보물 그래픽디자인Visual identity design; graphic design for posters and other promotional materials


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		<title>Not Two</title>
				
		<link>https://bowyer.kr/Not-Two</link>

		<pubDate>Tue, 23 Dec 2025 06:35:12 +0000</pubDate>

		<dc:creator>BOWYER</dc:creator>

		<guid isPermaLink="true">https://bowyer.kr/Not-Two</guid>

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    2025. 9.둘이 아님Not Two

비주얼 아트 페스티벌 웁 2025의 FLAG EXHIBITION에 ‹둘이 아님›이라는 작업으로 참여했습니다. 시각예술은 모두를 연결한다는 페스티벌의 캐치프레이즈 하에 보이어는 디자인과 삶을 통해 궁극적으로 추구하는 가치를 상징적인 이미지로 표현했습니다. 이것과 저것이 둘이 아님을 아는 도리, 이것이 있으므로 저것이 있고, 저것이 있으므로 이것이 있다는 이치, 그 중中을 향하는 마음을 나부끼는 깃발로 형상화 했습니다. 🎯
BOWYER participated in the FLAG EXHIBITION at the Visual Art Festival OOP 2025 with the piece, Not Two. Aligning with the festival's theme that visual art connects everyone, we transformed the ultimate values BOWYER pursues in design and life into a symbolic image. The work embodies the wisdom of non-duality — knowing that "this" and "that" are not separate. It visualizes the principle of interconnection: that "this" exists because "that" exists. We captured the mind seeking the "Middle Way" (中) in the form of a fluttering flag. 🎯


작업 노트:
삶과 이미지를 통해 우리가 드러내고자 하는 것은 둘이 아님을 아는 도리. 나와 너, 안과 밖, 빛과 어둠, 오늘과 내일, 꿈과 현실, 물질과 에너지, 몸과 정신 — 둘이 아님.
Designer’s Note:
Through life and imagery, we seek to reveal the wisdom of non-duality. You and I, inside and outside, light and darkness, today and tomorrow, dream and reality, matter and energy, body and mind — they are not two.

주최 Organizer:OOP Festival 🔗디자인 Design:이화영Lee Hwayoung

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		<title>BOWYER Buam-dong Studio</title>
				
		<link>https://bowyer.kr/BOWYER-Buam-dong-Studio</link>

		<pubDate>Tue, 26 May 2026 07:02:30 +0000</pubDate>

		<dc:creator>BOWYER</dc:creator>

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    2025. 8.보이어 부암동 스튜디오BOWYER Buam-dong Studio

2016년 1월 처음 보이어를 시작한 이후 여러 사무실을 거쳐, 마침내 오랫동안 머물 수 있는 보금자리를 마련했습니다. 2023년 여름부터 장소를 물색한 끝에 부암동의 작은 건물을 찾게 되었고, 고민 끝에 낡은 건물을 다듬고 우리만의 색을 입혀 앞으로의 시간을 쌓아갈 공간으로 완성했습니다. 평면의 세계가 익숙한 그래픽 디자이너에게 일상의 생활이 벌어지는 3차원 공간을 상상하고 만들어가는 과정은 새롭고 설레는 도전이었습니다.

 &#38;nbsp;&#38;nbsp; 오래된 건물의 불필요한 군더더기는 덜어내고 작업 공간으로서 건물에 새로운 정체성과 구조를 부여하는 리모델링 건축설계는 ‘구보건축’에서 맡았으며, 보이어는 건물 내부의 색상 체계를 제안하여 공간 전체가 유기적인 의미성을 갖도록 했습니다. 평소 관심이 많던 음양오행설의 다섯 가지 상징색을 각 층의 기능에 따라 부여하였는데, 단정한 무채색의 외부와 달리 내부는 다채로운 에너지가 서로 조화를 이루도록 했습니다. 또 인왕산, 북악산, 북한산을 함께 볼 수 있는 주변의 풍부한 자연환경에 감응하는 공간으로서, 우주의 순환적 원리를 건물 내부에 상징적으로 담고자 하였습니다.

 &#38;nbsp;&#38;nbsp; 앞으로 이곳에서 쌓아갈 보이어의 작업들도 세계와 조화를 이루고 새로운 에너지를 불어넣는 작은 움직임이 되기를 바랍니다. 🎯

Since starting BOWYER in 2016, we have finally established a permanent home in Buam-dong. For graphic designers rooted in the two-dimensional realm, shaping a 3D space was an exciting challenge. While ‘Gubo Architects’ handled the architectural remodeling, BOWYER designed the interior color system inspired by the Yin-Yang and Five Elements theory. Resonating with the surrounding landscape of Inwangsan, Bugaksan, and Bukhansan, these diverse interior colors contrast with the monochromatic exterior to embody the cyclical principles of the universe. We hope our future work here harmonizes with the world and becomes a small movement that infuses it with new energy. 🎯


건축 설계 Architectural Design:구보건축&#38;nbsp;🔗Gubo Architects건축 사진 Architectural Photography:텍스쳐온텍스쳐 texture on texture


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